The Emory
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Review
Character and identity
Tucked down Old Barrack Yard between Belgravia and Knightsbridge, The Emory is Maybourne's modernist counterpoint to its heritage stablemates, a glass-clad tower of steel sails and outriggers by Richard Rogers and Ivan Harbour, with Hyde Park spread out beyond. There are 61 suites across nine floors, each level shaped by a different designer (André Fu, Pierre-Yves Rochon, Champalimaud, Patricia Urquiola, Rigby & Rigby for the penthouse), with public spaces by Rémi Tessier. There's no traditional lobby; you arrive at a glass reception pavilion, are met by your Emory Assistant, and pass Damien Hirst works on the way up. Dining is Jean-Georges Vongerichten's abc kitchens; wellness lives four floors down at Surrenne.
Who's it for
Best for:
A global, quiet-luxury crowd: the Loro Piana set, longer-stay residents, and design-literate guests who want soft-toned modernism over Mayfair grandeur. It suits couples and families equally (floors can be configured into eight interlinking suites), and anyone serious about longevity, biohacking and clinical-grade spa work. Privacy seekers who'd rent a whole floor will feel right at home.
Should look elsewhere:
Traditionalists chasing a quintessential London experience of red brick, Portland stone and porter-and-doorman ritual will be happier at Claridge's or The Connaught. Anyone cost-sensitive should also pass: pricing is stratospheric, and a hotel without a visible front desk or classic lobby may feel clinical to some.
Bottom line
What sets this place apart is the combination of Rogers-designed architecture, all-suite scale and Surrenne, a four-floor longevity spa with medical oversight, Tracy Anderson's studio and a magnesium lap pool that's a genuine reason to book in its own right. Spend the money if quiet-luxury modernism and wellness matter more than London heritage; an Emory Park Suite on a higher floor delivers the Hyde Park view that justifies the rate.
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Location
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10 nearest